8 cans to ship them all and 32 reels to bind them! The complete The Lord of the Rings Trilogy is hanging out in our hall ready for screening this weekend.
The Sundance Film Festival lineup was announced over the last two weeks and features some familiar folk to us here at the Belcourt...very familiar. This may get confusing, so bear with me: Let's start with Brent Stewart's short film THE DIRTY ONES, playing in the shorts program. We showed his documentary THE LONELY back in May as a companion piece to Harmony Korine's MISTER LONELY, the film shoot that it documents. Brent also served as cinematographer and editor on fellow Nashvillian James Clauer's THE ALUMINUM FOWL, a short that made it into the 2006 Sundance Film Festival (and onto our screens later that year). James also will return to Sundance this year having done camera work on a feature film in the Documentary section, BIG RIVER MAN, which chronicles endurance swimmer Martin Strel's trek down the Amazon River. Additionally, both THE DIRTY ONES and ALUMINUM FOWL also share both a cameraman, filmmaker Michael Carter who also shares editing on THE DIRTY ONES, and a producer in new proud parent Harmony Korine. Additionally, THE DIRTY ONES stars Harmony's wife Rachel and the sound mix was done by Belcourt projectionist alumnus Jim Reed. Kudos, gentlemen.
In celebration of all of this, here is THE ALUMINUM FOWL:
For over 80 years, the Belcourt Theatre has provided a space for premiere entertainment in the heart of Nashville's Hillsboro Village. During this time, the Belcourt has existed in many incarnations - from its 1925 opening as the Hillsboro Theater -a silent film house - through its brief tenure in the 1930s as the first live venue of the Grand Ole Opry and its subsequent incarnation as the Nashville Community Playhouse to 1966 when it became the Belcourt Cinema. Under various ownership, it thrived during the 70's and saw a decline through the 80s and 90s as the landscape of cinema shifted from the theaters to the shopping mall and ultimately closing its doors in early 1999. Saved from the wrecking ball and re-opened later that year by a dedicated group of local activists as the Belcourt Theatre, it is now the last of the neighborhood theatres to remain operational and is recognized as a unique cultural icon and Nashville's venue for independent, foreign and classic film, great musical performances, cutting-edge theater, and unique programming for kids.